Programme
The practice of Robert Delaunay and his contemporaries
4-5 April 2024, Centre Pompidou, Paris
Important: presentations will be in English or in French
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Thursday 4 April 2024
Petite salle de conférence, Forum niveau -1, Centre Pompidou
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09h00
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Welcome
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09h20
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Introductory remarks
Xavier Rey, Director of Musée national d'art moderne, Centre Pompidou
Loïc Bertrand, DIM PAMIR
Pierre Guibentif, Maison des Sciences de l'Homme Paris-Saclay
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09h35
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Presentation of the workshop
Victor Gonzalez, CNRS-PPSM, Gif-sur-Yvette, FR
Stéphanie Elarbi, Centre Pompidou, Paris, FR
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09h45
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Keynote lecture : 30 years of study of the material practice of modern painters
Tom Learner, Getty Conservation Institute, Los Angeles, USA
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10h30
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A few conservation issues raised by modern paintings
Claire Bételu, HiCSA, Université Paris 1 Panthéon Sorbonne, FR
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11h00
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Chromatic Alchemy : unveiling the materiality of 19th century's illustrious color spaces
Emeline Pouyet, Centre de Recherche sur la Conservation, Paris, FR
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11h30
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Analysis and conservation of white paintings- identifying deterioration and designing intervention is not simple
Aviva Burnstock, The Courtauld Institute of Art, London, UK
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12h00
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Lunch break
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14h30
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Les Delaunay, "Matière et antimatière"
Sophie Goetzmann, Centre Pompidou, Paris, FR
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15h00
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Matters of Meaning: Art, Archives, and Analysis
Lora Angelova, Scientific Analysis of Fine Art, Berlin, DE
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15h30
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Casting light on Robert Delaunay’s palette using X-ray based imaging techniques
Steven De Meyer, U. Antwerpen, The Royal Institute for Cultural Heritage, BE
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16h00
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Break
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16h30
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Reflections on color and conservation
Véronique Sorano-Stedman, Centre Pompidou, Paris, FR
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17h00
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Synchrotron studies of modern paints composition and alteration
Marine Cotte, ESRF, Grenoble, FR
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17h30
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Closing lecture : L'opticerie de Robert Delaunay
Pascal Rousseau, Université Paris 1 Panthéon Sorbonne, FR
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18h15
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Presentation and screening of Soufiane Adel's documentary film, shot during the analysis of Robert Delaunay's paintings at the Centre Pompidou
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18h45
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Closing of the day
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***
Friday 05 April 2024
Petite salle de conférence, Forum niveau -1, Centre Pompidou
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10h00
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Keynote lecture : Imaging and artificial intelligence in Heritage science
Robert Erdmann, UvA, Amsterdam, NL
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10h45
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Probing Robert Delaunay's purple palette using chemical analysis
Victor Gonzalez, CNRS-PPSM, Gif-sur-Yvette, FR
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11h15
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Chemical alteration of the green arsenic pigments in Delaunay’s paintworks
Sara Carboni-Marri, Università degli Studi di Perugia, CNR-SCITEC, IT
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11h45
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Macro-photoluminescence imaging as a new tool to investigate modern paintworks
Mathieu Thoury, IPANEMA, Saint-Aubin, FR
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12h15
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Insights into the Sonia Delaunay Living Art exhibition at the Bard Graduate Center
Waleria Dorogova, Curator of the exhibition
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12h30
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Lunch break
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14h30
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A chemist’s perspective into an artist’s archives: the case of Simon Hantaï’s paint materials
Lauren Dalecky, CNRS-PPSM, Gif-sur-Yvette, FR
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15h00
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Restauration des oeuvres d'art contemporaines : le dialogue entre restaurateurs et artistes
Marie Cornu, CNRS-ISP, Gif-sur-Yvette, FR
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15h30
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Materiality of Amadeo de Souza-Cardoso's paintings
Vanessa Otero, Universidade NOVA de Lisboa, PT
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16h00
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Round table
Tea Ghigo, University College London, UK ; Angela Lampe, Centre Pompidou, Paris, FR ; Christian Bessy, IDHES, Gif-sur-Yvette, FR ; Elena Tosi-Brandi, ENSCI, Paris, FR
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17h00
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Closing lecture : L’Époque Destructive – stepping boldly into modernity through disruptive innovations in paints
Francesca Casadio, The Art Institute of Chicago, USA
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17h45
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Closing remarks
M. Philippe Maître, Research Vice-president, ENS Paris-Saclay
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18h00
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End of event
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Chargement...