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Speakers
Lora Angelova is a heritage science and conservation researcher based in Berlin, Germany. She is currently working with Scientific Analysis of Fine Art. Lora was previously Head of Conservation Research at The National Archives, UK, a conservation science researcher at Tate, and a Newton Fellow at the Material Studies Laboratory in University College London. She holds a PhD in chemistry from Georgetown University in collaboration with the National Gallery of Art, Washington, DC. As a material chemist, Lora has worked primarily on developing conservation treatment methods for traditional and contemporary artworks. Her research in archives is both applied - in material analysis and understanding - and theoretical - in developing the concept of archival conservation science and research. --------------------------------------- Christian Bessy is a graduate from Ecole Normale Superieure de Cachan (France) and a laureate of the “Agrégation d’Economie et de Gestion” (1987). He has received a PHD in economics at the University of Paris-Panthéon-Sorbonne (1991). He is currently attached ‘Institutions and Dynamiques historiques de l’Economie et de la Société’ (IDHES, Paris-Saclay) as a CNRS (Centre National de la Recherche Scientifique) Director of research, and is a teacher at the ‘Ecole Normale Supérieure Paris-Saclay’. Before 2005, he was Researcher at the Centre d'Études de l'Emploi (CEE, Paris) in which he has worked during several years and doing research financed by the French Ministry of Social Affairs, Work and Solidarity. Until 2004, he has been Associate Researcher at the ‘Center for Analytical Theory of Organizations and Markets’ (ATOM, University of Paris-Panthéon- Sorbonne) and Member of the scientific committee. He is specialised in institutional economics, law and economics, recruitment and labour market intermediaries, knowledge transfer and intellectual property rights. He has published a lot of books and articles on these subjects. He has been a visiting scholar at the Washington University of Saint Louis (Missouri) and invited professor at Lucerne University and Osaka University. He is currently the director of IDHES ENS Paris-Saclay and supervisor of the master “Economie, Organisation et Société” of Paris-Saclay University. --------------------------------------- Claire Betelu is an Assistant Professor with tenure at the Paris 1 Panthéon Sorbonne University. She holds a PhD in Art History and a master in Conservation restoration of Painting (2015). She is the head of the Conservation Department of the University Paris 1 Panthéon Sorbonne. She teaches painting and restoration techniques since 2010. She studies French Painting Technique in the 18th and 19th and Painting Restoration History. She is dedicated in particular to artists who have designed their processes and their materials with a view to preserving their creation. --------------------------------------- Aviva Burnstock is a Professor in the Department of Conservation at The Courtauld, London, where she took a Ph.D. (1991) and a Postgraduate Diploma in the Conservation of Easel Paintings (1984). She was a Joop Los Fellow at the Institute for Molecular Physics (FOM/AMOLF) in Amsterdam, Netherlands (2003-5). From 1986-1992 she worked in the Scientific Department of the National Gallery, London after a year as a conservator in Australia with the Regional Galleries Association of New South Wales. She has a BSc. in Neurobiology from the University of Sussex, England. She has published widely in the field of painting techniques and materials and aspects of conservation practice. --------------------------------------- --------------------------------------- Francesca Casadio is the founder of the scientific research laboratory at the Art Institute of Chicago, where she currently holds the post of Vice President and Grainger Executive Director of Conservation and Science. In this capacity she leads a team of over thirty specialists for the conservation and material study of objects, paintings, frames, works on paper, photographs, books, other printed materials, textiles, time-based media, and scientific research. She is also the founding member and co-director of the Northwestern University / Art Institute of Chicago Center for Scientific Studies in the Arts (NU-ACCESS). Francesca received her PhD and MS degrees in Chemistry from the University of Milan, Italy and in 2019 was awarded an honorary doctorate from the Sorbonne University in Paris. She’s passionate about communicating the work of conservators and scientists to the public, students, and the media. In both her academic and museum work Francesca is particularly proud of training women scientists for careers in museums, industry and academia. In 2006 she was the recipient of the L’Oréal Art and Science of Color Silver Prize. --------------------------------------- Marie Cornu is is a CNRS research director and a legal expert at the Institut des Sciences sociales du Politique (ISP). Her research covers all aspects of culture and heritage law (cultural and scientific, tangible and intangible, natural), a field that emerged in the 1990s and which she played a major role in shaping. She was awarded the CNRS silver medal for her work in 2019. --------------------------------------- Marine Cotte is a CNRS research scientist at LAMS (Structural and Molecular archaeology laboratory), UMR-8220, Sorbonne University, Paris, followinga PhD thesis carried out at the Centre of Research and Restoration of French Museums, (C2RMF, formerly UMR171 CNRS, Paris), and a post-doctoral fellowship at the ESRF (European Synchrotron Radiation Facility). She is currently seconded at the ESRF as beamline scientist in charge of the ID21 beamline, a beamline dedicated to X-ray micro-spectroscopy, with various applications in the fields of cultural heritage, biology and environmental sciences as well. More particularly, she combines development and application of synchrotron-based microscopes for the study of ancient and artistic materials sampled in historical paintings, ceramics, papyrus, photographs, among others. More recently, she has extended her activities at the ESRF via the “historical materials BAG” (a collaborative access to ID13 and ID22). --------------------------------------- Lauren Dalecky began her studies at Lake Forest College in Illinois, USA, where she obtained a Bachelor's degree in Chemistry and French in 2017. She went on to earn a Master's degree in Chemistry at the Université Paris-Saclay in 2019, and turned her attention to cultural heritage studies, obtaining a Master's in Materials of cultural heritage in the built environment (Matériaux du Patrimoine dans l'Environnement) at the Université Paris-Est Créteil in 2020. She completed her PhD in March 2024, focusing on the chemical analysis of 20th century painting materials in post-war Paris, particularly those identified in the studio of the renowned abstract painter, Simon Hantaï. --------------------------------------- Steven De Meyer obtained a doctorate in chemistry from the University of Antwerp in 2023 and is currently working as a post-doctoral researcher for the AXIS group at the University of Antwerp and the Royal Institute of Cultural Heritage in Belgium. His research activities are focused on the development of X-ray powder diffraction as a macroscopic imaging technique for the non-invasive analysis of artworks in order to gain more insight into both the original paint materials used by the artist and possible paint alteration processes. --------------------------------------- Robert Erdmann is a full professor at the University of Amsterdam in the faculty of Science and the faculty of Humanities and is Senior Scientist at the Rijksmuseum. Previously he was associate professor of Materials Science and Engineering and of Applied Mathematics at the University of Arizona. He is on a mission to help the world access, preserve, and understand its cultural heritage. --------------------------------------- Sophie Goetzmann holds a doctorate in art history from the Université Paris-Sorbonne. Her book, "Et les grands cris de l'Est". Robert Delaunay à Berlin (1912-1914), was published in 2021 by the Centre Allemand d'Histoire de l'Art/MSH. She is currently a research fellow at the Musée National d'Art Moderne. --------------------------------------- Victor Gonzalez is a CNRS researcher in the PPSM laboratory at ENS Paris Saclay. He received a PhD in Chemistry from the Sorbonne University in 2016, conducted at the C2RMF in Paris. He then worked in the Netherlands, first as a post-doc in the Material Science Department of TU Delft, and then as a junior scientist at the Science Department of the Rijksmuseum in Amsterdam. In 2021, he became a Marie Curie fellow at the PPSM laboratory befoire joining the CNRS in 2023. His work is aimed at chemically revealing the production methods and dynamics of ancient pictorial matter, through the development of innovative analytical methodologies based on a combination of X-ray and optical techniques. --------------------------------------- Tom Learner heads the Getty Conservation Institute's (GCI) Science Department. He oversees the Institute's scientific research, developing and implementing projects that advance conservation practice in the visual arts. He was a Research Fellow at the GCI from 2007 to 2013, overseeing research initiatives on modern and contemporary art, during which time he developed an international research program related to the conservation of modern paintings, plastics and contemporary outdoor sculpture. Before joining GCI, he was a conservation researcher at the Tate, London, where he developed the museum's analysis and research strategies for modern materials and led the Modern Paints project in collaboration with GCI and the National Gallery of Art, Washington. He was Visiting Scholar in Residence at the GCI in 2001. Tom Learner is a chemist and conservator. He holds a PhD in chemistry from Birkbeck College, University of London, and a diploma in easel painting restoration from the Courtauld Institute of Art. --------------------------------------- Emeline Pouyet received her M.S. degree in Archaeometry in 2010 and completed her Ph.D. studies in 2014 at the ID21 beamline at the European Synchrotron Radiation Facility (Grenoble, France). She is currently a CNRS researcher at the CRC (Centre de Recherche sur la Conservation) laboratory. Her research activities are focused on using infrared and X-ray based techniques to achieve molecular, elemental, and structural characterization of complex and heterogeneous samples from cultural heritage artifacts. --------------------------------------- Pascal Rousseau is is Professor of Contemporary Art History at the University Paris I Panthéon-Sorbonne, specializing in the historical avant-gardes and the beginnings of abstraction, and the links between the imaginary, science and technology in contemporary culture (20th-20th centuries). He notably curated the exhibitions "Robert Delaunay. De l'impressionnisme à l'abstraction" (Centre Pompidou, 1999) and "Aux origines de l'abstraction. 1800-1914" (Musée d'Orsay, 2003). --------------------------------------- Véronique Sorano-Stedman is an alumnus of the Ecole du Louvre, graduated from the Maitrise de Sciences et Techniques de Paris I in conservation-restoration and from the IFROA-INP, and worked as a trainee at the Restoration Institute in Rome. She began her career as a painting restorer with the C2RMF and national museums through the C2RMF, from 1986 to 2010. As co-founder of the Arcanes company, she managed major restoration projects on monumental decors, including the Galerie d'Apollon at the Louvre and the Galerie des Glaces at Versailles. From 2010 to 2022, she headed the restoration department of the MNAM at the Centre national d'art et de culture Georges Pompidou. She is currently a consultant for modern and contemporary painting at the RES appraisal firm, a reference restorer at the Gustave Moreau museum and a consultant to artists. |
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